4 10 4788 https://omeka.hvvacc.org/files/original/ba1c5fc0986163a77c7148224587cd29 2fb4cdfe38d35f1e072dc441c97cec34 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5058 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Untitled (Provincetown), 1982 titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5058 Date A point or period of time associated with an event in the lifecycle of the resource 1982; printed c. 1982 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.45 cm (7 5/8 x 9 5/8 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource Moody, overcast sky with ocean, beach and breakwaters. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz [in ink], 1982 [in an unknown hand, in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource clouds; seascapes Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1982. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.020 2017.012.020 2017.012.020.jpg https://omeka.hvvacc.org/files/original/e12a7aeda934bfddc6a56a970d03f35f f9d89bdf859ee1ad5ee89188aaa5b1cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5063 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Untitled (Provincetown), 1981 titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5063 Date A point or period of time associated with an event in the lifecycle of the resource 1981; printed c. 1981 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.45 cm (7 5/8 x 9 5/8 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource A cloud swept sky dominates this scene of a quiet ocean beach and breakwater. The photograph is beautifully structured: the layering of gray clouds and clear light above the distant, dark horizon provide great depth of field to the seascape., while the diagonal breakwater gives depth to the foreground beach. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz, 1981 [in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource clouds; beaches; seascapes Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1981. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.029 2017.012.029 2017.012.029.jpg https://omeka.hvvacc.org/files/original/d739ee5ecad6ff4d9328ff7904bba739 e7328197e7d66318920cdb80fecc23dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5065 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Untitled (portrait from the series "Cape Light"), 1981 Cape Light titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5065 Date A point or period of time associated with an event in the lifecycle of the resource 1981; printed c. 1981 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 35.56 x 27.94 cm (14 x 11 inches) 24.45 x 19.36 cm (9 5/8 x 7 5/8 inches) 35.56 x 27.94 cm (14 x 11 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource This smiling young woman sitting at the beach boardwalk is one of a series of spontaneous portraits of people in public spaces. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. 1981 [in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource portrait; woman Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1981. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.023 2017.012.023 2017.012.023.jpg https://omeka.hvvacc.org/files/original/05d215cd882bcc782470983d840ef32d 42bb9e95ede1c19edc84570a3f75a6ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5062 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Untitled (portrait from the series "Cape Light"), 1981 Cape Light titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5062 Date A point or period of time associated with an event in the lifecycle of the resource 1981; printed c. 1981 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 35.56 x 27.94 cm (14 x 11 inches) 24.45 x 19.36 cm (9 5/8 x 7 5/8 inches) 35.56 x 27.94 cm (14 x 11 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource This smiling young girl in the beach parking lot is one of a series of spontaneous portraits of people in public spaces. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz [in ink], 1981 [in an unknown hand, in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource portrait; girls; youth Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1981. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.022 2017.012.022 2017.012.022.jpg https://omeka.hvvacc.org/files/original/74a514051bc6798106a68173d0e9dad6 8ca2bb312e196e325feb167272c11538 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5060 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Untitled (from the series "Bay/Sky"), 1982 Bay/Sky titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5060 Date A point or period of time associated with an event in the lifecycle of the resource printed c. 1982 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.45 cm (7 5/8 x 9 5/8 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource Gathering clouds over calm bay. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz, 1982 [in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource clouds; seascapes Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1982. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.018 2017.012.018 2017.012.018.jpg https://omeka.hvvacc.org/files/original/b3728a4a8dfc37c7c99984ec4d670c15 b6d9bad710535cdd1e9d6a49983f291b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5069 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Untitled (from the series "Bay/Sky"), 1981 Bay/Sky titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5069 Date A point or period of time associated with an event in the lifecycle of the resource 1981; printed c. 1981 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.45 cm (7 5/8 x 9 5/8 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource Billowing clouds with calm ocean, soft waves and beach. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz [in ink], 1981 [in an unknown hand, in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource clouds; seascapes Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1981. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.024 2017.012.024 2017.012.024.jpg https://omeka.hvvacc.org/files/original/dabb0b14b97a9ad8eae83e50bd35ba02 d6157e512036818d36bfd7e25f0a109c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5061 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Untitled (Florida), 1982 titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5061 Date A point or period of time associated with an event in the lifecycle of the resource printed c. 1982 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.45 cm (7 5/8 x 9 5/8 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource This classic Meyerowitz street scene captures the humor of urban living: a hazy Florida city street with palm trees and an enormous Pabst Blue Ribbon beer can parked in the parking lot. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz [in ink], 1982 [in an unknown hand, in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource citiscapes; beer; humorous pictures Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1982. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.019 2017.012.019 2017.012.019.jpg https://omeka.hvvacc.org/files/original/97cb1d1383fdfbd851f48c2dbfd70f7a 15b22da56b10c473d5bc23156e7b7b7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5057 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Provincetown, Bay/Sky, 1976 P Town B/S [written on verso] Bay/Sky titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5057 Date A point or period of time associated with an event in the lifecycle of the resource 1976; printed c. 1976 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.76 cm (7 5/8 x 9 3/4 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource Cloud study. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz, Provincetown, Bay/Sky, 1976, printed c. 1976 / P Town B/S [in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource clouds; seascapes Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1976. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.016 2017.012.016 2017.012.016.jpg https://omeka.hvvacc.org/files/original/7f369f62258577f9586dccfdad0259ed 9c9a545092eb793ab334b23f688b5100 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5064 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Provincetown, 1977 P Town [written on verso]; The Table titled by cataloguer Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5064 Date A point or period of time associated with an event in the lifecycle of the resource 1977; printed c. 1977 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.45 cm (7 5/8 x 9 5/8 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource The photograph captures a hot, calm day on Cape Cod. We feel the motionless air in the homogenous band of gray sky above an expanse of flat ocean and the sun reflecting on the bright white balcony and table. The filigree ironwork and glass-top of the table contrast with the rough gray planks of the cottage balcony. The glass table recalls the still ocean with "water as smooth as glass," a classic Meyerwitz visual pun. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz, Provincetown, 1977 / P Town [in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource seascape; balcony; tables Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1977. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.028 2017.012.028 2017.012.028.jpg https://omeka.hvvacc.org/files/original/2fe7767536eb7a3e5c24555d47d4cce9 5a24c9a4ba0e482b1d1c817f581213fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Samuel Dorsky Museum of Art Artwork Records describing the artwork itself, not the image of it. URL An external link to access more information about the item. http://hvvacc.org/cdm/singleitem/collection/sdma/id/5059 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource chromogenic color print; color photograph work Creator An entity primarily responsible for making the resource Meyerowitz, Joel photographer born 1938 American Title A name given to the resource Provincetown, 1976 P'Town 1976 [written on verso] titled by donor Relation A related resource http://hvvacc.org/cdm/singleitem/collection/sdma/id/5059 Date A point or period of time associated with an event in the lifecycle of the resource 1976; printed 1977 Medium The material or physical carrier of the resource. chromogenic color print photographic paper chromogenic processes; color photography Extent The size or duration of the resource. 27.94 x 35.56 cm (11 x 14 inches) 19.36 x 24.45 cm (7 5/8 x 9 5/8 inches) 27.94 x 35.56 cm (11 x 14 inches) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant contemporary (generic time frame); Contemporary (style of art); Description An account of the resource Cloud and bay study on a calm day. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. Joel Meyerowitz verso Joel Meyerowitz, Provincetown, 1976, printed 1977 / PTown 1976 [in ink] verso Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color. As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61). He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City. Subject The topic of the resource clouds; seascapes; boats; sailboats Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Gift of Howard and Ellen Greenberg Source A related resource from which the described resource is derived www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin & Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990. Publisher An entity responsible for making the resource available Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States) Photography Collection. Samuel Dorsky Museum of Art Rights Information about rights held in and over the resource Copyright. 1976. Joel Meyerowitz Identifier An unambiguous reference to the resource within a given context 2017.012.015 2017.012.015 2017.012.015.jpg