<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1409">
    <dcterms:title><![CDATA[Church in Winter [Woodstock Dutch Reformed Church]]]></dcterms:title>
    <dcterms:creator><![CDATA[Clarence Bolton]]></dcterms:creator>
    <dcterms:date><![CDATA[1935]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[lithographic ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1991-05-06]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8190">
    <dcterms:title><![CDATA[Church Interior, Harlem, 1938]]></dcterms:title>
    <dcterms:subject><![CDATA[cities; black-and-white photographs; churches]]></dcterms:subject>
    <dcterms:description><![CDATA[This photograph features a group of women at a church service. The woman at the far left is leaning on a wooden partition as she gazes directly at the viewer; her look of confusion might be in reference to the presence of the photographer. The woman in the white dress is the focal point of the photograph; she sings or exclaims passionately and takes no heed of the of the women that surround her. She also places one foot on the ledge of the wooden partition as she props up a baby in her lap. Her white uniform dress is traditional church attire among some African American women. The woman in the floral hat at her right, stares at her in awe or annoyance. The woman at the far right pays no to attention to the woman in white or the photographer and stares straight ahead at the service.<br />
]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind]]></dcterms:description>
    <dcterms:description><![CDATA[margin, verso]]></dcterms:description>
    <dcterms:description><![CDATA[Church Interior, Harlem, 1938, &quot;HD&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[verso [in pencil, in unknown hand]]]></dcterms:description>
    <dcterms:description><![CDATA[Banks, Ann, and Charles Traub, eds. Harlem Document: Photographs 1932-1940: Aaron Siskind, p. 59. Providence: Matrix Publication, 1981.]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School.  The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA.  During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind  taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career.  From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.]]></dcterms:description>
    <dcterms:creator><![CDATA[Siskind, Aaron]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[1903 - 1991]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[http://www.howardgreenberg.com/; http://aaronsiskind.org/chronology.html]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art, State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1938; printed 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1938. Estate of Aaron Siskind]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5072]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[21.91 x 30.48 cm (8 5/8 x 12 iches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[gelatin silver print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[photography (process); gelatin silver process]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.006]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.006]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.006]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Photo League of New York]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Estate of Tennyson Schad]]></dcterms:provenance>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2719">
    <dcterms:title><![CDATA[Church on the Green]]></dcterms:title>
    <dcterms:creator><![CDATA[Konrad Cramer]]></dcterms:creator>
    <dcterms:date><![CDATA[c.1940-50]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[10 x 8 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin;]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print;]]></dcterms:type>
    <dcterms:identifier><![CDATA[2010-13-18]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7193">
    <dcterms:title><![CDATA[Church Steeple]]></dcterms:title>
    <dcterms:creator><![CDATA[Dorothy Norman]]></dcterms:creator>
    <dcterms:date><![CDATA[1937]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1937. Estate of Dorothy Norman. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[7.94 x 5.4 cm (3 1/8 x 2 1/8 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:identifier><![CDATA[2003.053.033]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3394">
    <dcterms:title><![CDATA[Church Tower, Portsmouth]]></dcterms:title>
    <dcterms:creator><![CDATA[Childe Hassam]]></dcterms:creator>
    <dcterms:date><![CDATA[1921]]></dcterms:date>
    <dcterms:rights><![CDATA[To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art.]]></dcterms:rights>
    <dcterms:extent><![CDATA[21.59  x 15.24 cm (8 1/2  x 6 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[etching (print)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1957.001.041]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3906">
    <dcterms:title><![CDATA[Church, 3rd Avenue]]></dcterms:title>
    <dcterms:creator><![CDATA[Todd Webb]]></dcterms:creator>
    <dcterms:date><![CDATA[1946]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1946. Todd Webb, Courtesy of Evans Gallery and Estate of Todd and Lucille Webb, Portland, Maine USA]]></dcterms:rights>
    <dcterms:extent><![CDATA[11.75 x 17.15 cm (4 5/8 x 6 3/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:identifier><![CDATA[2008.035.455]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7173">
    <dcterms:title><![CDATA[Ciclista]]></dcterms:title>
    <dcterms:creator><![CDATA[Federico Moroni]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1954]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Frederico Moroni. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[65.41 x 22.86 cm (25 3/4 x 9 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[wash (material)]]></dcterms:medium>
    <dcterms:type><![CDATA[ink wash]]></dcterms:type>
    <dcterms:identifier><![CDATA[1954.002.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6127">
    <dcterms:title><![CDATA[Cielos Chicarras y Mariposas]]></dcterms:title>
    <dcterms:creator><![CDATA[Rimer Cardillo]]></dcterms:creator>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1973. Rimer Cardillo. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[59.06 x 80.65 cm (23 1/4 x 31 3/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[screen print]]></dcterms:type>
    <dcterms:identifier><![CDATA[1995.006.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6423">
    <dcterms:title><![CDATA[Circles]]></dcterms:title>
    <dcterms:creator><![CDATA[George Haggenbottom]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1952]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of George Haggenbottom. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[42.55 x 35.56 cm (16 3/4 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2008.035.041]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6425">
    <dcterms:title><![CDATA[Circles]]></dcterms:title>
    <dcterms:creator><![CDATA[George Haggenbottom]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1952]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of George Haggenbottom. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[35.56 x 39.37 cm (14 x 15 1/2 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2008.035.042]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
