<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1423">
    <dcterms:title><![CDATA[Guernica Genre]]></dcterms:title>
    <dcterms:creator><![CDATA[Ezio Martinelli]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:identifier><![CDATA[1992-11-18]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6169">
    <dcterms:title><![CDATA[Guerrillas]]></dcterms:title>
    <dcterms:creator><![CDATA[Eugene Ludins]]></dcterms:creator>
    <dcterms:date><![CDATA[1942]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1942. Estate of Eugene Ludins]]></dcterms:rights>
    <dcterms:extent><![CDATA[106.68 x 127 cm (42 x 50 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[oil painting (visual work)]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.004.004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3074">
    <dcterms:title><![CDATA[Guess who died?: memories of Baltimore with recipes]]></dcterms:title>
    <dcterms:creator><![CDATA[Mindell Dubansky]]></dcterms:creator>
    <dcterms:date><![CDATA[c1999]]></dcterms:date>
    <dcterms:rights><![CDATA[Dubansky, Mindell]]></dcterms:rights>
    <dcterms:extent><![CDATA[22 x 19 cm.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Posedon Perfect White Text]]></dcterms:medium>
    <dcterms:type><![CDATA[Artists&#039; book]]></dcterms:type>
    <dcterms:identifier><![CDATA[l7]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/852">
    <dcterms:title><![CDATA[Guitarist]]></dcterms:title>
    <dcterms:creator><![CDATA[Andrée Ruellan]]></dcterms:creator>
    <dcterms:date><![CDATA[1953]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[gouache (paint)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1994-06-61]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1884">
    <dcterms:title><![CDATA[Guitarist]]></dcterms:title>
    <dcterms:creator><![CDATA[Anton Refregier]]></dcterms:creator>
    <dcterms:date><![CDATA[1960]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[graphite pencils]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2005-04-10]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6092">
    <dcterms:title><![CDATA[Gulf Island]]></dcterms:title>
    <dcterms:creator><![CDATA[Arnold Blanch]]></dcterms:creator>
    <dcterms:date><![CDATA[1951]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1951. Estate of Arnold Blanch. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[86.36 x 121.92 cm (34 x 48 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[oil painting (visual work)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1984.003.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8199">
    <dcterms:title><![CDATA[Gull Pond, 2 Women, VW, 1976]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[sports &amp; recreation facilities]]></dcterms:subject>
    <dcterms:description><![CDATA[Women sunbathe on the beach beside a Volkswagon carrying a canoe. One woman looks back into the landscape while the other looks out towards the viewer, enlarging the picture space and bringing the viewer into the scene. Meyerowitz enjoys capturing the humorous moment in his photos, as with this little, turtle-like Volkswagon carrying a long canoe. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz, Gulf Pond, 2 Women, VW, 1976 [in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1976; printed c. 1976]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1976. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5067]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.026]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.026]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.026.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8200">
    <dcterms:title><![CDATA[Gull Pond, Wellfleet, 1976]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[picnics; sports &amp; recreation facilities; eating &amp; drinking]]></dcterms:subject>
    <dcterms:description><![CDATA[Picnickers under pines and swimmers at Gull Pond, Wellfleet, Cape Cod, MA. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz, Gull Pond, Wellfleet, 1976 [in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1976; printed c. 1976]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1976. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5068]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.025]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.025]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.025.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7627">
    <dcterms:title><![CDATA[Gulls, Sea Spray]]></dcterms:title>
    <dcterms:creator><![CDATA[Eva Watson]]></dcterms:creator>
    <dcterms:date><![CDATA[1942]]></dcterms:date>
    <dcterms:rights><![CDATA[The Samuel Dorsky Museum of Art respects the intellectual property rights of all artists, but we have been unsuccessful in our efforts to reach this work&#039;s creator. Please help us contact the artist who created this work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[22.86 x 21.59 cm (9 x 8 1/2 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[linocut (print)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1957.001.124]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2772">
    <dcterms:title><![CDATA[Gunnison III]]></dcterms:title>
    <dcterms:creator><![CDATA[Edward Arcenio Chavez]]></dcterms:creator>
    <dcterms:date><![CDATA[1979]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[50 x 50 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[acrylic paint]]></dcterms:medium>
    <dcterms:type><![CDATA[acrylic painting (visual work);]]></dcterms:type>
    <dcterms:identifier><![CDATA[1995-12-01]]></dcterms:identifier>
</rdf:Description></rdf:RDF>