<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7114">
    <dcterms:title><![CDATA[Long Slow March]]></dcterms:title>
    <dcterms:creator><![CDATA[Clifton Meador]]></dcterms:creator>
    <dcterms:date><![CDATA[1996]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1996. Clifton Meador. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[20.64 x 13.65 x 2.54 cm (8 1/8 x 5 3/8 x 1 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[artist&#039;s book]]></dcterms:type>
    <dcterms:identifier><![CDATA[1997.018]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2988">
    <dcterms:title><![CDATA[Long Stemmed Blue Flower, Grey Background]]></dcterms:title>
    <dcterms:creator><![CDATA[unknown]]></dcterms:creator>
    <dcterms:rights><![CDATA[The Woodstock Byrdcliffe Guild respects the intellectual property rights of all artists, but we do not know who created this work. Please help us contact the artist (or artist&#039;s estate) who created this work so that we may attribute it correctly.]]></dcterms:rights>
    <dcterms:extent><![CDATA[19.05 x 45.72 cm (7 1/2 x 18 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[gouache (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[gouache (painting)]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3275">
    <dcterms:title><![CDATA[Longing for My Family]]></dcterms:title>
    <dcterms:creator><![CDATA[Robert W. Ebendorf]]></dcterms:creator>
    <dcterms:date><![CDATA[1994]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1994.  Robert W. Ebendorf]]></dcterms:rights>
    <dcterms:medium><![CDATA[mixed media]]></dcterms:medium>
    <dcterms:type><![CDATA[jewelry; metalwork (visual works)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1996.013.002.006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7850">
    <dcterms:title><![CDATA[Longnook Beach]]></dcterms:title>
    <dcterms:creator><![CDATA[Joel Meyerowitz]]></dcterms:creator>
    <dcterms:date><![CDATA[1983]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1983. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic film (photographic materials)]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2014.052.008]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8201">
    <dcterms:title><![CDATA[Longnook Beach, 1976]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[beaches; sea]]></dcterms:subject>
    <dcterms:description><![CDATA[Longnook Beach in Truro, MA is a popular ocean beach on Cape Cod. Meyerowitz has photographed the beach with the high tide line of sea weed and the sand impressions of innumerable feet left by the day&#039;s crowd. The sand dunes of Truro rise in the hazy background. This vintage chromogenic print reflects a shift in pigments that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz, Longnook Beach, 1976, printed 1977 [in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1976; printed 1977]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1976. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5056]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.017]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.017]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.017.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art)]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2080">
    <dcterms:title><![CDATA[Look Where I Am?  (woman standing in seaside town)]]></dcterms:title>
    <dcterms:creator><![CDATA[Louis Bouché]]></dcterms:creator>
    <dcterms:date><![CDATA[1919]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2008-23-01]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3136">
    <dcterms:title><![CDATA[Looking]]></dcterms:title>
    <dcterms:creator><![CDATA[Karen Spears]]></dcterms:creator>
    <dcterms:date><![CDATA[c1991]]></dcterms:date>
    <dcterms:rights><![CDATA[Spears, Karen]]></dcterms:rights>
    <dcterms:extent><![CDATA[21 x 18 cm.]]></dcterms:extent>
    <dcterms:type><![CDATA[Artists&#039; book]]></dcterms:type>
    <dcterms:identifier><![CDATA[h3]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2827">
    <dcterms:title><![CDATA[Looking at Pictures]]></dcterms:title>
    <dcterms:creator><![CDATA[Konrad Cramer]]></dcterms:creator>
    <dcterms:date><![CDATA[c.1940-50]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[10 x 7-7/8]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin;]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print;]]></dcterms:type>
    <dcterms:identifier><![CDATA[2010-13-17]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2823">
    <dcterms:title><![CDATA[Looking from East to West Room through Hallway]]></dcterms:title>
    <dcterms:creator><![CDATA[Konrad Cramer]]></dcterms:creator>
    <dcterms:date><![CDATA[c.1940-50]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[9-5/8 x 7-3/8 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin;]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print;]]></dcterms:type>
    <dcterms:identifier><![CDATA[2010-13-24]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6753">
    <dcterms:title><![CDATA[Looking Through Window at Field Building]]></dcterms:title>
    <dcterms:creator><![CDATA[Fred G. Korth]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1935]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Fred G. Korth. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[24.13 x 19.05 cm (9 1/2 x 7 1/2 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2008.035.081]]></dcterms:identifier>
</rdf:Description></rdf:RDF>