<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8226">
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/cpw1/id/100]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8225">
    <dcterms:title><![CDATA[Southern Bouquet]]></dcterms:title>
    <dcterms:subject><![CDATA[still lifes; floral]]></dcterms:subject>
    <dcterms:description><![CDATA[Oil painting of two vases with flowers, sitting on a table with cloth pinned up in the background. The vase on the left is a pink tone, and contains white flowers. The vase on the right is more yellow, and is filled with greens, and some red flowers. The light is coming from the left side of the image.]]></dcterms:description>
    <dcterms:description><![CDATA[A Brook]]></dcterms:description>
    <dcterms:description><![CDATA[lower right]]></dcterms:description>
    <dcterms:creator><![CDATA[Brook, Alexander]]></dcterms:creator>
    <dcterms:creator><![CDATA[oil painter]]></dcterms:creator>
    <dcterms:creator><![CDATA[1898-1980]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Woodstock Artists Association and Museum (Woodstock, New York, United States)]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1946]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/waam/id/268]]></dcterms:relation>
    <dcterms:extent><![CDATA[44 x 36 inches]]></dcterms:extent>
    <dcterms:extent><![CDATA[43-5/8 x 35-1/2 inches]]></dcterms:extent>
    <dcterms:extent><![CDATA[50-1/4 x 42 x 1-1/2 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:medium><![CDATA[canvas]]></dcterms:medium>
    <dcterms:medium><![CDATA[oil painting (technique)]]></dcterms:medium>
    <dcterms:type><![CDATA[oil paintings (visual works)]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[1980-01-01]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[1980-01-01.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Bequest of the artist]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8223">
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/cpw1/id/20]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8222">
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/cpw1/id/13]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8221">
    <dcterms:title><![CDATA[Sandbags at the Bulkheads]]></dcterms:title>
    <dcterms:description><![CDATA[WENDELL JONES]]></dcterms:description>
    <dcterms:description><![CDATA[lower right]]></dcterms:description>
    <dcterms:creator><![CDATA[Jones, Wendell]]></dcterms:creator>
    <dcterms:creator><![CDATA[1899-1956]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Woodstock Artists Association and Museum (Woodstock, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[WAAM Permanent Collection]]></dcterms:publisher>
    <dcterms:date><![CDATA[1943]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/waam/id/660]]></dcterms:relation>
    <dcterms:extent><![CDATA[20 x 30 inches]]></dcterms:extent>
    <dcterms:extent><![CDATA[25-1/4 x 34-3/4 inches (framed)]]></dcterms:extent>
    <dcterms:medium><![CDATA[tempera; graphite (mineral); chalk]]></dcterms:medium>
    <dcterms:medium><![CDATA[gesso; board (flat object)]]></dcterms:medium>
    <dcterms:medium><![CDATA[painting (image-making)]]></dcterms:medium>
    <dcterms:type><![CDATA[tempera paintings]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[1974-09-01]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[unavailable.jpg]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Mr. and Mrs. Eugene Ludins]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8220">
    <dcterms:title><![CDATA[Child-god]]></dcterms:title>
    <dcterms:subject><![CDATA[Egypt; children; gods]]></dcterms:subject>
    <dcterms:description><![CDATA[The relief sculpture of a Child-god is a particularly fine example of a ‘sculptor’s model’ or ‘votive object,’ a piece appearing to be a fragment but actually a fully realized object in itself. It is probably Harpokrates, Horus the Child, often found in ‘birthing’ temples, or in artisans workshops associated with the temples, of the Ptolemaic period. Harpokrates is often portrayed sucking his finger, possibly seen here in unfinished form to the right of his mouth. Also common to Harpokrates is the child’s side-lock which curls elegantly down the side of his head. The curling lock is echoed in the smaller curl of the uraeus (upright cobra) on his skullcap, which signifies divine sovereignty. The full cheeks and neck creases suggest a very young child, also common to portrayals of Harpokrates. The carving demonstrates assurance in the delicate quality of the beautifully shaped eyes and mouth, the lovely fullness of the eyebrow and the slight, beneficent smile.<br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[unknown Egyptian]]></dcterms:creator>
    <dcterms:creator><![CDATA[Egyptian]]></dcterms:creator>
    <dcterms:source><![CDATA[http://www.metmuseum.org/art/collection/search/551360?sortBy=Relevance&amp;ft=child-god&amp;pg=1&amp;rpp=20&amp;pos=22; http://www.metmuseum.org/art/collection/search/551316?sortBy=Relevance&amp;ft=child-god&amp;pg=1&amp;rpp=20&amp;pos=40; http://www.mfa.org/collections/object/plaque-of-a-prince-or-child-god-137975]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[World Art Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[380-342 BCE (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art.]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/336]]></dcterms:relation>
    <dcterms:extent><![CDATA[12.7 x 13.97 cm (5 x 5 1/2 inches) [irregular]]]></dcterms:extent>
    <dcterms:medium><![CDATA[plaster]]></dcterms:medium>
    <dcterms:medium><![CDATA[relief (sculpture technique)]]></dcterms:medium>
    <dcterms:type><![CDATA[relief (sculpture)]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[1957.005.011]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[1957.005.011]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[1957.005.011.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Ptolemaic]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Dynasty XXX: Sebennytic Dynasty [?]]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Arts and Crafts Honor Society, SUNY New Paltz]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8219">
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/cpw1/id/53]]></dcterms:relation>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8218">
    <dcterms:title><![CDATA[Amy &amp; Wes]]></dcterms:title>
    <dcterms:title><![CDATA[Living off the Land]]></dcterms:title>
    <dcterms:description><![CDATA[Raised in Western Pa., Dana Duke was fascinated by the images in LIFE and Look Magazines and received his first camera at the age of fourteen.  While still a teenager, Duke was exposed to the fine art photography of Robert Frank at the “Americans” exhibit in Philadelphia, plus the unique still life and portrait photography of Irving Penn in Vogue Magazine.  He attended a workshop by noted nature photographer, Paul Caponigro, which had a profound effect on his future. Duke majored in photography at R.I.S.D. (Rhode Island School of Design), where he studied with photographers, Harry Callahan and Aaron Siskind.  Upon graduation, he went to New York City to assist Arnold Newman and then Magnum photographer, Bruce Davidson. Duke is influenced by all things visual. He is primarily inspired by the work of many photographers and painters such as Ellsworth Kelly, Agnes Martin, and Francis Bacon. While his fine art work has changed over time, it is still the patterns that arise out of nature and urban scenes that intrigue him most. The simplest lines against a field of just the right values and textures pull his attention. “I try to go beyond the obvious, there is so much that is overlooked”. Duke has had a successful career shooting commercially with a studio in New York City for 25 years before moving to Sullivan County.  He has photographed portraits and industrial situations for magazines such as Life, Discover, Time, and Fortune, and has traveled the world shooting for major Fortune 500 companies.  He has also taught at the Maine Photographic Workshop in Rockport, Maine.  In addition to his photography studio, Dana Duke is the owner and audio engineer of Big Twig Recording Studio.]]></dcterms:description>
    <dcterms:creator><![CDATA[Duke, Dana]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1954]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art, State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[2007]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 2007. Dana Duke]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/1039]]></dcterms:relation>
    <dcterms:extent><![CDATA[81.28 x 101.6 cm (32 x 40 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[inkjet processes]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; giclee print]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2009.023.002]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2009.023.002]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2009.023.002.jpg]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8217">
    <dcterms:title><![CDATA[Airshaft, Harlem, 1940]]></dcterms:title>
    <dcterms:subject><![CDATA[cities; apartment houses; tenement houses; black-and-white photographs]]></dcterms:subject>
    <dcterms:description><![CDATA[This photograph is taken from the perspective of someone looking down into the air shaft of a Harlem apartment building. Half of the air shaft is cast in shadow; all of the windows on the lighted half of the air shaft are left open. The dynamic composition of shadow and light anticipates Siskind&#039;s later interest in abstraction.<br />
]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind]]></dcterms:description>
    <dcterms:description><![CDATA[margin, verso]]></dcterms:description>
    <dcterms:description><![CDATA[Airshaft, Harlem, 1940, &quot;HD&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[verso [in pencil, in unknown hand]]]></dcterms:description>
    <dcterms:description><![CDATA[Banks, Ann, and Charles Traub, eds. Harlem Document: Photographs 1932-1940: Aaron Siskind, p. 40. Providence: Matrix Publication, 1981.]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School.  The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA.  During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind  taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career.  From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.]]></dcterms:description>
    <dcterms:creator><![CDATA[Siskind, Aaron]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[1903 - 1991]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[http://www.howardgreenberg.com/; http://aaronsiskind.org/chronology.html]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art, State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1940; printed 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1940. Estate of Aaron Siskind]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5073]]></dcterms:relation>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[29.85 x 20.96 cm   (11 3/4 x 8 1/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[gelatin silver print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[photography (process); gelatin silver process]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.001]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.001]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Photo League of New York]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Estate of Tennyson Schad]]></dcterms:provenance>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8216">
    <dcterms:title><![CDATA[Wild Grape Leaves]]></dcterms:title>
    <dcterms:subject><![CDATA[Grapevines; Vines; Grapes; Plants]]></dcterms:subject>
    <dcterms:description><![CDATA[EM Walker]]></dcterms:description>
    <dcterms:description><![CDATA[lower right]]></dcterms:description>
    <dcterms:description><![CDATA[Watercolor of grapes, leaves, and branches, probably a design for a painted furniture panel. Framed together with Woodbine, WBG 2006.001.0014]]></dcterms:description>
    <dcterms:description><![CDATA[Denker, Ellen, Robert Edwards, Heidi Nasstrom, Nancy E. Green, Cheryl Robertson, Tom Wolf.  Byrdcliffe: an American Arts and Crafts Colony. Ithaca: Herbert F. Johnson Museum of Art, 2004. Published in conjunction with the exhibition of the same name, shown at the Milwaukee Art Museum, the Herbert F. Johnson Museum of Art, the Albany Institute of History &amp; Art, the New-York Historical Society and the Winterthur Museum, Garden &amp; Library.]]></dcterms:description>
    <dcterms:description><![CDATA[Byrdcliffe: An American Arts and Crafts Colony (traveling exhibition). Denker, Ellen Paul,  Edwards, Robert, Evans, Heidi Nasstrom, Green, Nancy E. , Robertson, Cheryl , and Wolf, Tom. Herbert F. Johnson Museum of Art at Cornell University (Ithaca, New York, United States). The National Endowment for the Humanities, the Henry Luce Foundation, the National Endowment for the Arts, the New York State Council on the Arts, and the New York Council on the Humanities; Milwaukee Art Museum (Milwaukee, Wisconsin, United States), June 25 - September 19, 2004, Herbert F. Johnson Museum of Art at Cornell University (Ithaca, New York, United States), October 16 - December 5, 2004;  Albany Institute of History &amp; Art (Albany, New York, United States), December 28, 2004 - February 28, 2005; the New-York Historical Society (New York, New York, United States), March 15 - May 15, 2005; Winterthur Museum, Garden &amp; Library (Winterthur, Delaware, United States), June 11 - September 5, 2005. No. 176.]]></dcterms:description>
    <dcterms:creator><![CDATA[Steele, Zulma; Steele, Zulma;]]></dcterms:creator>
    <dcterms:creator><![CDATA[watercolorist; artist (visual artist)]]></dcterms:creator>
    <dcterms:creator><![CDATA[1881-1979;]]></dcterms:creator>
    <dcterms:creator><![CDATA[American;]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Woodstock Byrdcliffe Guild, Alf Evers Collection]]></dcterms:publisher>
    <dcterms:date><![CDATA[1904-1905]]></dcterms:date>
    <dcterms:contributor><![CDATA[Walker, Edna M.;]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Gift of the Douglas C. James Charitable Trust]]></dcterms:rights>
    <dcterms:rights><![CDATA[Copyright. Estate of Zulma DeLacey Steele-Parker; Copyright. Estate of Edna M. Walker]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/wbg1/id/16]]></dcterms:relation>
    <dcterms:format><![CDATA[ink; watercolor (paint)]]></dcterms:format>
    <dcterms:format><![CDATA[tracing paper]]></dcterms:format>
    <dcterms:format><![CDATA[drawing (image-making); watercolor painting (technique)]]></dcterms:format>
    <dcterms:format><![CDATA[24.13 x 69.21 cm (9 1/2 X 27 1/4 inches)]]></dcterms:format>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:type><![CDATA[drawing (visual work); watercolor (painting)]]></dcterms:type>
    <dcterms:identifier><![CDATA[WBG 2006.001.0015]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[cat_no_176.jp2]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Arts and Crafts (movement);]]></dcterms:coverage>
</rdf:Description></rdf:RDF>