<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2709">
    <dcterms:title><![CDATA[Baby with Cap]]></dcterms:title>
    <dcterms:creator><![CDATA[Florence Ballin Cramer]]></dcterms:creator>
    <dcterms:date><![CDATA[1910]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[13 1/2 x 10 1/2 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[oil painting (visual work)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1985-03-02]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3355">
    <dcterms:title><![CDATA[Bacchanale]]></dcterms:title>
    <dcterms:creator><![CDATA[George Wesley Bellows]]></dcterms:creator>
    <dcterms:date><![CDATA[1918]]></dcterms:date>
    <dcterms:rights><![CDATA[To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art.]]></dcterms:rights>
    <dcterms:extent><![CDATA[47.63  x 60.96 cm  (18 3/4  x 24 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[lithographic ink]]></dcterms:medium>
    <dcterms:type><![CDATA[lithograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.079.009]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2432">
    <dcterms:title><![CDATA[Back cover of &quot;Diederich Exhibition&quot; brochure [horse, jockey with horn &amp; greyhounds]]]></dcterms:title>
    <dcterms:creator><![CDATA[Wilhelm Hunt Diederich]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1996-05-01b]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1916">
    <dcterms:title><![CDATA[Back view of draped female figure]]></dcterms:title>
    <dcterms:creator><![CDATA[John Carroll]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[watercolor (paint)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2007-04-19]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1652">
    <dcterms:title><![CDATA[Backfire]]></dcterms:title>
    <dcterms:creator><![CDATA[John Striebel]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1996-24-16]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/4841">
    <dcterms:title><![CDATA[Backstop, Loughran Park]]></dcterms:title>
    <dcterms:creator><![CDATA[Eric Lindbloom]]></dcterms:creator>
    <dcterms:date><![CDATA[1990]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1990. Eric Lindbloom]]></dcterms:rights>
    <dcterms:extent><![CDATA[15.88 x 45.72 cm (6 1/4 x 18 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[1991.002.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8187">
    <dcterms:title><![CDATA[Backyard, Harlem, 1940]]></dcterms:title>
    <dcterms:subject><![CDATA[cities; laundry; apartment houses; tenement houses; black-and-white photographs]]></dcterms:subject>
    <dcterms:description><![CDATA[Satirically titled &quot;Harlem Backyard,&quot; this photograph possibly depicts the bottom of an air shaft of a Harlem apartment building. Two, white sheets dry on a clothesline at the center of the shaft. A line of white shirts hang at a lower altitude above what seems to be a wooden fence. The floor of the air shaft is completely caked in litter and garbage. <br />
<br />
<br />
]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind]]></dcterms:description>
    <dcterms:description><![CDATA[margin, verso]]></dcterms:description>
    <dcterms:description><![CDATA[Backyard, Harlem, 1940, &quot;HD&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[verso [in pencil, in unknown hand]]]></dcterms:description>
    <dcterms:description><![CDATA[Banks, Ann, and Charles Traub, eds. Harlem Document: Photographs 1932-1940: Aaron Siskind, p.41. Providence: Matrix Publication, 1981.]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School.  The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA.  During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind  taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career.  From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.]]></dcterms:description>
    <dcterms:creator><![CDATA[Siskind, Aaron]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[1903 - 1991]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[http://www.howardgreenberg.com/; http://aaronsiskind.org/chronology.html]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art, State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1940; printed 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1940. Estate of Aaron Siskind]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5076]]></dcterms:relation>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 19.69 cm  (11 x 7 3/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[gelatin silver print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[photography (process); gelatin silver process]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.003]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.003]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.003]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Photo League of New York]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Estate of Tennyson Schad]]></dcterms:provenance>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6726">
    <dcterms:title><![CDATA[Bacon II]]></dcterms:title>
    <dcterms:creator><![CDATA[R. B. Kitaj]]></dcterms:creator>
    <dcterms:rights><![CDATA[Copyright. Estate of R.B. Kitaj. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[101.6 x 36.2 cm (40 x 14 1/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[screen print]]></dcterms:type>
    <dcterms:identifier><![CDATA[1979.015.012d]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6692">
    <dcterms:title><![CDATA[Bacon One]]></dcterms:title>
    <dcterms:creator><![CDATA[R. B. Kitaj]]></dcterms:creator>
    <dcterms:rights><![CDATA[Copyright. Estate of R.B. Kitaj. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[47.31 x 103.82 cm (18 5/8 x 40 7/8 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[screen print]]></dcterms:type>
    <dcterms:identifier><![CDATA[1979.015.012e]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/5149">
    <dcterms:title><![CDATA[Bahia de Mocambo]]></dcterms:title>
    <dcterms:creator><![CDATA[unknown Mozambican]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1930]]></dcterms:date>
    <dcterms:rights><![CDATA[To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art. ;]]></dcterms:rights>
    <dcterms:extent><![CDATA[11.75 x 16.51 cm (4 5/8 x 6 1/2 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:identifier><![CDATA[2000.037.010]]></dcterms:identifier>
</rdf:Description></rdf:RDF>