<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6549">
    <dcterms:title><![CDATA[Street Scene]]></dcterms:title>
    <dcterms:creator><![CDATA[Adolf Fassbender]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1940]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Adolf Fassbender. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[44.45 x 33.34 cm (17 1/2 x 13 1/8 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2003.053.012]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7573">
    <dcterms:title><![CDATA[Street Scene]]></dcterms:title>
    <dcterms:creator><![CDATA[Marko Vukovic]]></dcterms:creator>
    <dcterms:rights><![CDATA[The Samuel Dorsky Museum of Art respects the intellectual property rights of all artists, but we have been unsuccessful in our efforts to reach this work&#039;s creator. Please help us contact the artist who created this work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[19.37 x 26.04 cm (7 5/8 x 10 1/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[watercolor (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[watercolor (painting)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1975.001.022]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8197">
    <dcterms:title><![CDATA[Street Scene 2, Harlem, 1940]]></dcterms:title>
    <dcterms:subject><![CDATA[citiscapes; streets--New York--1930-1940; apartment house; tenement house; black-and-white photographs]]></dcterms:subject>
    <dcterms:description><![CDATA[The photograph, part of a documentary series focusing on the social and economic conditions of Harlem, captures the contrasts of a Harlem street. In this street vignette, a neatly dressed woman and child talk in front of a run down building; the face of another person, also listening to the child, can just barely be seen in the open window, revealing the neighborhood community dynamic of interior spaces connecting with the exterior sidewalk space. The beautiful geometry of the architecture shows the dilapidation of time and negligent maintenance. Although this is part of the &quot;Harlem Document&quot; group of photos taken by Siskind in the 1930s, it was not included in the 1981 book, Harlem Document: Photographs 1932-1940: Aaron Siskind (Banks, Ann, and Charles Traub, eds. Harlem Document: Photographs 1932-1940: Aaron Siskind.  Providence: Matrix Publication, 1981).<br />
]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind]]></dcterms:description>
    <dcterms:description><![CDATA[margin, verso]]></dcterms:description>
    <dcterms:description><![CDATA[Street Scene 2, Harlem, 1940]]></dcterms:description>
    <dcterms:description><![CDATA[verso [in pencil, in unknown hand]]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School.  The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA.  During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind  taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career.  From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.]]></dcterms:description>
    <dcterms:creator><![CDATA[Siskind, Aaron]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[1903 - 1991]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[http://www.howardgreenberg.com/; http://aaronsiskind.org/chronology.html]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1940; printed 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1940. Estate of Aaron Siskind]]></dcterms:rights>
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/sdma/id/5053]]></dcterms:relation>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[24.45 x 21.59 cm (9 5/8 x 8 1/2 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[gelatin silver print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[photography (process); gelatin silver process]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.013]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.013]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.013_Siskind_LR.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Photo League of New York]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
    <dcterms:provenance><![CDATA[Estate of Tennyson Schad]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8198">
    <dcterms:title><![CDATA[Street Scene 4, Harlem, 1937]]></dcterms:title>
    <dcterms:subject><![CDATA[citiscapes; streets--New York--1930-1940; street vendors; black-and-white photographs]]></dcterms:subject>
    <dcterms:description><![CDATA[The photograph, part of a documentary series focusing on the social and economic conditions of Harlem, shows a bird&#039;s eye view of a street in Harlem, New York. The sidewalk cuts a diagonal through the middle of the scene, showing a line of shoeshine stands and pedestrians; a street signpost and steel columns of the elevated subway, the &quot;el,&quot; provide vertical markers defining the height of the space. ]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind]]></dcterms:description>
    <dcterms:description><![CDATA[margin, verso]]></dcterms:description>
    <dcterms:description><![CDATA[Street Scene 4, Harlem, 1937]]></dcterms:description>
    <dcterms:description><![CDATA[verso [in pencil, in unknown hand]]]></dcterms:description>
    <dcterms:description><![CDATA[Siskind, Aaron; Ann Banks, ed. Harlem Document: Photographs 1932-1940: Aaron Siskind, p20. Providence, RI: Matrix Publications, Inc., April 25, 1981.]]></dcterms:description>
    <dcterms:description><![CDATA[Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School.  The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA.  During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind  taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career.  From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.]]></dcterms:description>
    <dcterms:creator><![CDATA[Siskind, Aaron]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[1903 - 1991]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[http://www.howardgreenberg.com/; http://aaronsiskind.org/chronology.html]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1937; printed 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1937. Estate of Aaron Siskind]]></dcterms:rights>
    <dcterms:relation><![CDATA[https://collections.hvvacc.org/cdm/singleitem/collection/sdma/id/5052]]></dcterms:relation>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[26.35 x 19.68 cm (10 3/8 x 7 3/4 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[gelatin silver print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[photography (process); gelatin silver process]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.014]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.014]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.014_Siskind_LR.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art)]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Photo League of New York]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
    <dcterms:provenance><![CDATA[Estate of Tennyson Schad]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7603">
    <dcterms:title><![CDATA[Street Scene with Figures]]></dcterms:title>
    <dcterms:creator><![CDATA[Marko Vukovic]]></dcterms:creator>
    <dcterms:date><![CDATA[1923]]></dcterms:date>
    <dcterms:rights><![CDATA[The Samuel Dorsky Museum of Art respects the intellectual property rights of all artists, but we have been unsuccessful in our efforts to reach this work&#039;s creator. Please help us contact the artist who created this work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[30.16 x 37.47 cm (11 7/8 x 14 3/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[watercolor (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[watercolor (painting)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1975.001.011]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/4224">
    <dcterms:title><![CDATA[Street Scene, India]]></dcterms:title>
    <dcterms:creator><![CDATA[Allen Ginsberg]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1962]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1963. Allen Ginsberg LLC]]></dcterms:rights>
    <dcterms:extent><![CDATA[21.59  x 30.48 cm (8 1/2  x 12 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; gelatin silver print]]></dcterms:type>
    <dcterms:identifier><![CDATA[2004.038.040]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/5188">
    <dcterms:title><![CDATA[Street Scene, Tangier (Mosque, Tangier)]]></dcterms:title>
    <dcterms:creator><![CDATA[Henry Ossawa Tanner]]></dcterms:creator>
    <dcterms:rights><![CDATA[To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art]]></dcterms:rights>
    <dcterms:extent><![CDATA[17.78 x 23.5 cm (7 x 9 1/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[etching (print)]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.032.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/4251">
    <dcterms:title><![CDATA[Striding Collosi, Court of Ramses II, (Temple of Luxor, Eastern Thebes)]]></dcterms:title>
    <dcterms:creator><![CDATA[Sarite Sanders]]></dcterms:creator>
    <dcterms:date><![CDATA[2005]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 2005. Sarite Sanders]]></dcterms:rights>
    <dcterms:extent><![CDATA[20.32 x 30.48 cm (8 x 12 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[giclee print]]></dcterms:type>
    <dcterms:identifier><![CDATA[2006.004.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3883">
    <dcterms:title><![CDATA[Stromboli Dark]]></dcterms:title>
    <dcterms:creator><![CDATA[Carol Summers]]></dcterms:creator>
    <dcterms:date><![CDATA[1965]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1965. Carol Summers]]></dcterms:rights>
    <dcterms:extent><![CDATA[73.66 x 53.34 cm (29 x 21 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[woodcut (print)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1967.005.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1073">
    <dcterms:title><![CDATA[Stuart Edie]]></dcterms:title>
    <dcterms:creator><![CDATA[Yasuo Kuniyoshi]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2003-08-10]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
