<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8206">
    <dcterms:title><![CDATA[Untitled (Florida), 1982]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[citiscapes; beer; humorous pictures]]></dcterms:subject>
    <dcterms:description><![CDATA[This classic Meyerowitz street scene captures the humor of urban living:  a hazy Florida city street with palm trees and an enormous Pabst Blue Ribbon beer can parked in the parking lot. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz [in ink], 1982 [in an unknown hand, in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[printed c. 1982]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1982. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5061]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.019]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.019]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.019.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1077">
    <dcterms:title><![CDATA[Untitled (Flowering bulb)]]></dcterms:title>
    <dcterms:creator><![CDATA[Mary Frank]]></dcterms:creator>
    <dcterms:date><![CDATA[1978]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2003-09-01]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8207">
    <dcterms:title><![CDATA[Untitled (from the series &quot;Bay/Sky&quot;), 1981]]></dcterms:title>
    <dcterms:title><![CDATA[Bay/Sky]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[clouds; seascapes]]></dcterms:subject>
    <dcterms:description><![CDATA[Billowing clouds with calm ocean, soft waves and beach. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz [in ink], 1981 [in an unknown hand, in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1981; printed c. 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1981. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5069]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.024]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.024]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.024.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8208">
    <dcterms:title><![CDATA[Untitled (from the series &quot;Bay/Sky&quot;), 1982]]></dcterms:title>
    <dcterms:title><![CDATA[Bay/Sky]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[clouds; seascapes]]></dcterms:subject>
    <dcterms:description><![CDATA[Gathering clouds over calm bay. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz, 1982 [in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[printed c. 1982]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1982. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5060]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.018]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.018]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.018.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2984">
    <dcterms:title><![CDATA[Untitled (Girl in Stream)]]></dcterms:title>
    <dcterms:creator><![CDATA[unknown American]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1910]]></dcterms:date>
    <dcterms:rights><![CDATA[The Woodstock Byrdcliffe Guild respects the intellectual property rights of all artists, but we do not know who created this work. Please help us contact the artist (or artist&#039;s estate) who created this work so that we may attribute it correctly.]]></dcterms:rights>
    <dcterms:extent><![CDATA[7.93 x 10.16 cm (3 1/8 x 4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[WBG 2003.006.032]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2537">
    <dcterms:title><![CDATA[Untitled (girl on swing)]]></dcterms:title>
    <dcterms:creator><![CDATA[Doris Emrick Lee]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[11 3/8 x 9 1/2 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[lithographic ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2014-06-01]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2937">
    <dcterms:title><![CDATA[Untitled (Girl with blue shirt)]]></dcterms:title>
    <dcterms:creator><![CDATA[Zulma Steele]]></dcterms:creator>
    <dcterms:rights><![CDATA[To request permission to publish or reproduce this work, please contact the Woodstock Byrdcliffe Guild.]]></dcterms:rights>
    <dcterms:extent><![CDATA[9 x 4.75 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[oil painting (visual work); frame (furnishing); woodwork]]></dcterms:type>
    <dcterms:identifier><![CDATA[WBG 2003.004.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/5917">
    <dcterms:title><![CDATA[Untitled (in the style of Rouault)]]></dcterms:title>
    <dcterms:creator><![CDATA[Georges Aubert]]></dcterms:creator>
    <dcterms:rights><![CDATA[Copyright. 1886. Georges Aubert/Artists Rights Society. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[29.85 x 19.69 cm (11 3/4 x 7 3/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[wood engraving (print)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1972.022]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2975">
    <dcterms:title><![CDATA[Untitled (known as &quot;Western Landscape&quot; or &quot;West Coast Landscape&quot;)]]></dcterms:title>
    <dcterms:creator><![CDATA[Jane Byrd McCall Whitehead]]></dcterms:creator>
    <dcterms:date><![CDATA[1890]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Jane Byrd McCall Whitehead]]></dcterms:rights>
    <dcterms:extent><![CDATA[25.08 x 35.24 cm (9 7/8 x 13  inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[oil painting (visual work)]]></dcterms:type>
    <dcterms:identifier><![CDATA[WBG 2006.001.0022]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1050">
    <dcterms:title><![CDATA[Untitled (Landscape sketch)]]></dcterms:title>
    <dcterms:creator><![CDATA[Emmet Edwards]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2002-08-03]]></dcterms:identifier>
</rdf:Description></rdf:RDF>