<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1919">
    <dcterms:title><![CDATA[Untitled (New York Waterfront)]]></dcterms:title>
    <dcterms:creator><![CDATA[Josef Presser]]></dcterms:creator>
    <dcterms:date><![CDATA[c. 1945]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2006-20-02]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6088">
    <dcterms:title><![CDATA[Untitled (non-objective drawing)]]></dcterms:title>
    <dcterms:creator><![CDATA[Ben Bishop]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1980]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Ben Bishop. This work is presented as a thumbnail because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[35.56 x 43.18 cm (14 x 17 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[graphite (mineral)]]></dcterms:medium>
    <dcterms:type><![CDATA[drawing (visual work)]]></dcterms:type>
    <dcterms:identifier><![CDATA[s2007.031]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2522">
    <dcterms:title><![CDATA[Untitled (nude)]]></dcterms:title>
    <dcterms:creator><![CDATA[Anton Refregier]]></dcterms:creator>
    <dcterms:date><![CDATA[1928]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[18 1/2 x 12 1/4 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[crayon (drawing material)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2014-03-03]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7053">
    <dcterms:title><![CDATA[Untitled (nude)]]></dcterms:title>
    <dcterms:creator><![CDATA[George Pierce]]></dcterms:creator>
    <dcterms:date><![CDATA[1982]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1982. George Pierce. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[9.53 x 12.07 cm (3 3/4 x 4 3/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[palladium]]></dcterms:medium>
    <dcterms:type><![CDATA[palladium print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2007.038.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1929">
    <dcterms:title><![CDATA[Untitled (Ohayo Mountain Trees)]]></dcterms:title>
    <dcterms:creator><![CDATA[Josef Presser]]></dcterms:creator>
    <dcterms:date><![CDATA[c. 1950]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[watercolor (paint)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2006-20-01]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1098">
    <dcterms:title><![CDATA[Untitled (Orange VW Beetle)]]></dcterms:title>
    <dcterms:creator><![CDATA[John G. Ernst]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[pastel (crayon); watercolor (paint)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2007-21-02]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6311">
    <dcterms:title><![CDATA[Untitled (outside an antique shop)]]></dcterms:title>
    <dcterms:creator><![CDATA[Eliot Elisofon]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1935]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Eliot Elisofon. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[22.23 x 16.51 cm (8 3/4 x 6 1/2 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2005.070.094]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6100">
    <dcterms:title><![CDATA[Untitled (Owls)]]></dcterms:title>
    <dcterms:creator><![CDATA[Umberto Brunelleschi]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1920]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Umberto Brunelleschi. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[20.96 x 47.63 cm (8 1/4 x 18 3/4 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[ink; watercolor (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[drawing (visual work); watercolor (painting)]]></dcterms:type>
    <dcterms:identifier><![CDATA[1967.028.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8209">
    <dcterms:title><![CDATA[Untitled (portrait from the series &quot;Cape Light&quot;), 1981]]></dcterms:title>
    <dcterms:title><![CDATA[Cape Light]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[portrait; girls; youth]]></dcterms:subject>
    <dcterms:description><![CDATA[This smiling young girl in the beach parking lot is one of a series of spontaneous portraits of people in public spaces. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz [in ink], 1981 [in an unknown hand, in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1981; printed c. 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1981. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5062]]></dcterms:relation>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[24.45 x 19.36 cm (9 5/8 x 7 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.022]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.022]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.022.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8210">
    <dcterms:title><![CDATA[Untitled (portrait from the series &quot;Cape Light&quot;), 1981]]></dcterms:title>
    <dcterms:title><![CDATA[Cape Light]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[portrait; woman]]></dcterms:subject>
    <dcterms:description><![CDATA[This smiling young woman sitting at the beach boardwalk is one of a series of spontaneous portraits of people in public spaces. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[1981 [in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1981; printed c. 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1981. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5065]]></dcterms:relation>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[24.45 x 19.36 cm (9 5/8 x 7 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[35.56 x 27.94 cm (14 x 11 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.023]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.023]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.023.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description></rdf:RDF>