<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6807">
    <dcterms:title><![CDATA[Untitled (portrait of Eva Watson-Schütze)]]></dcterms:title>
    <dcterms:creator><![CDATA[Frances Foy]]></dcterms:creator>
    <dcterms:date><![CDATA[1930]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1930. Estate of Frances Foy. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[22.86 x 17.78 cm (9 x 7 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:type><![CDATA[etching (print)]]></dcterms:type>
    <dcterms:identifier><![CDATA[2007.040.083]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/3294">
    <dcterms:title><![CDATA[Untitled (portrait of two children by waterfall)]]></dcterms:title>
    <dcterms:creator><![CDATA[Eva Lawrence Watson-Schütze]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1905]]></dcterms:date>
    <dcterms:rights><![CDATA[To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art]]></dcterms:rights>
    <dcterms:extent><![CDATA[6 1/4  x 8 1/4 in.]]></dcterms:extent>
    <dcterms:medium><![CDATA[Platinum print ]]></dcterms:medium>
    <dcterms:type><![CDATA[photograph; platinum print]]></dcterms:type>
    <dcterms:identifier><![CDATA[2007.040.047]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2525">
    <dcterms:title><![CDATA[Untitled (portrait)]]></dcterms:title>
    <dcterms:creator><![CDATA[Anton Refregier]]></dcterms:creator>
    <dcterms:date><![CDATA[1941]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:extent><![CDATA[17 x 12 1/2 inches]]></dcterms:extent>
    <dcterms:medium><![CDATA[colored pencils]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2014-03-02]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8211">
    <dcterms:title><![CDATA[Untitled (Provincetown), 1981]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[clouds; beaches; seascapes]]></dcterms:subject>
    <dcterms:description><![CDATA[A cloud swept sky dominates this scene of a quiet ocean beach and breakwater. The photograph is beautifully structured: the layering of gray clouds and clear light above the distant, dark horizon provide great depth of field to the seascape., while the diagonal breakwater gives depth to the foreground beach. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz, 1981 [in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1981; printed c. 1981]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1981. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5063]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.029]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.029]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.029.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/8212">
    <dcterms:title><![CDATA[Untitled (Provincetown), 1982]]></dcterms:title>
    <dcterms:title><![CDATA[titled by donor]]></dcterms:title>
    <dcterms:subject><![CDATA[clouds; seascapes]]></dcterms:subject>
    <dcterms:description><![CDATA[Moody, overcast sky with ocean, beach and breakwaters. This vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980&#039;s. The color shift is recognized as a part of the unique nature of such images. ]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz [in ink], 1982 [in an unknown hand, in ink]]]></dcterms:description>
    <dcterms:description><![CDATA[verso]]></dcterms:description>
    <dcterms:description><![CDATA[Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a &quot;street&quot; photographer in the early 1960&#039;s. Born in New York City in 1938, he &quot;began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance&quot; (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, &quot;one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places&quot; (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.]]></dcterms:description>
    <dcterms:creator><![CDATA[Meyerowitz, Joel]]></dcterms:creator>
    <dcterms:creator><![CDATA[photographer]]></dcterms:creator>
    <dcterms:creator><![CDATA[born 1938]]></dcterms:creator>
    <dcterms:creator><![CDATA[American]]></dcterms:creator>
    <dcterms:source><![CDATA[www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, &quot;Bystander: A History of Photography,&quot; Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Photography Collection. Samuel Dorsky Museum of Art]]></dcterms:publisher>
    <dcterms:date><![CDATA[1982; printed c. 1982]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1982. Joel Meyerowitz]]></dcterms:rights>
    <dcterms:relation><![CDATA[http://hvvacc.org/cdm/singleitem/collection/sdma/id/5058]]></dcterms:relation>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[19.36 x 24.45 cm (7 5/8 x 9 5/8 inches)]]></dcterms:extent>
    <dcterms:extent><![CDATA[27.94 x 35.56 cm (11 x 14 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[chromogenic color print]]></dcterms:medium>
    <dcterms:medium><![CDATA[photographic paper]]></dcterms:medium>
    <dcterms:medium><![CDATA[chromogenic processes; color photography]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:type><![CDATA[work]]></dcterms:type>
    <dcterms:identifier><![CDATA[2017.012.020]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.020]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[2017.012.020.jpg]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[contemporary (generic time frame);]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Contemporary (style of art);]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Gift of Howard and Ellen Greenberg]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/6310">
    <dcterms:title><![CDATA[Untitled (rapids)]]></dcterms:title>
    <dcterms:creator><![CDATA[Eliot Elisofon]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1946]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. Estate of Eliot Elisofon. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[34.61 x 26.35 cm (13 5/8 x 10 3/8 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[photographic gelatin; silver halide]]></dcterms:medium>
    <dcterms:type><![CDATA[gelatin silver print; black-and-white photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[2005.070.093]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1052">
    <dcterms:title><![CDATA[Untitled (Roma)]]></dcterms:title>
    <dcterms:creator><![CDATA[Philip Guston]]></dcterms:creator>
    <dcterms:date><![CDATA[1971]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[oil paint (paint)]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2002-18-01]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/1683">
    <dcterms:title><![CDATA[untitled (shore foliage)]]></dcterms:title>
    <dcterms:creator><![CDATA[Jean Wrolsen]]></dcterms:creator>
    <dcterms:date><![CDATA[n.d.]]></dcterms:date>
    <dcterms:rights><![CDATA[Item may be under copyright restrictions. Contact the holding institution for use.]]></dcterms:rights>
    <dcterms:medium><![CDATA[printing ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1999-10-02]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/2905">
    <dcterms:title><![CDATA[Untitled (single narcissus)]]></dcterms:title>
    <dcterms:creator><![CDATA[unknown American]]></dcterms:creator>
    <dcterms:rights><![CDATA[The Woodstock Byrdcliffe Guild respects the intellectual property rights of all artists, but we do not know who created this artwork. Please help us contact the artist or artist&#039;s estate so that we may attribute it correctly.]]></dcterms:rights>
    <dcterms:extent><![CDATA[22.86 x 13.97 cm (9 x 5.5 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[watercolor (paint)]]></dcterms:medium>
    <dcterms:type><![CDATA[watercolor (painting)]]></dcterms:type>
    <dcterms:identifier><![CDATA[WBG 2003.001.024]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://omeka.hvvacc.org/items/show/7069">
    <dcterms:title><![CDATA[Untitled (slanting trees)]]></dcterms:title>
    <dcterms:creator><![CDATA[John Pfahl]]></dcterms:creator>
    <dcterms:date><![CDATA[1975]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright. 1975. John Pfahl. This image is presented as a &quot;thumbnail&quot; because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.]]></dcterms:rights>
    <dcterms:extent><![CDATA[17.78 x 24.13 cm (7 x 9 1/2 inches)]]></dcterms:extent>
    <dcterms:medium><![CDATA[dye; photographic film (photographic materials)]]></dcterms:medium>
    <dcterms:type><![CDATA[chromogenic color print; color photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[1996.004.002]]></dcterms:identifier>
</rdf:Description></rdf:RDF>