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              <text>Collections Manager, Samuel Dorsky Museum of Art, State University of New York at New Paltz, 1 Hawk Drive, New Paltz, New York 12561-2443, (845) 257-3844, sdma@newpaltz.edu</text>
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                <text>Andy Warhol</text>
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                <text>Ladies and Gentlemen</text>
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                <text>111.13 x 73.66 cm (43 3/4 x 29 inches)</text>
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                <text>Extra, out of edition. Designated for research and educational purposes only. ©The Andy Warhol Foundation for the Visual Arts, Inc.</text>
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              <text>Collections Manager, Samuel Dorsky Museum of Art, State University of New York at New Paltz, 1 Hawk Drive, New Paltz, New York 12561-2443, (845) 257-3844, sdma@newpaltz.edu</text>
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                <text>Utagawa Kunisawa</text>
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                <text>34.29 x 24.13 cm (13 1/2 x 9 1/2 inches)</text>
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                <text>To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art.</text>
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              <text>Collections Manager, Samuel Dorsky Museum of Art, State University of New York at New Paltz, 1 Hawk Drive, New Paltz, New York 12561-2443, (845) 257-3844, sdma@newpaltz.edu</text>
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                <text>Ladies' Watch</text>
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                <text>ca. 1920-30</text>
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                <text>2.54 x 1.43 x 0.95 cm (1 x 9/16 x 3/8 inches) watch face</text>
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                <text>Copyright. Bulova Watch Company. This image is presented as a thumbnail because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.</text>
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                <text>white gold; enamel (fused coating); hand (indicator); sapphire (mineral)</text>
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            <name>Identifier</name>
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                <text>1996.002.009</text>
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                <text>Siskind, Aaron</text>
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            <description>A name given to the resource</description>
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                <text>Lady and Lamp, Harlem, 1940</text>
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                <text>1940; printed 1981</text>
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                <text>photographic paper</text>
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                <text>35.56 x 27.94 cm (14 x 11 inches)</text>
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                <text>contemporary (generic time frame)</text>
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                <text>Contemporary (style of art)</text>
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                <text>Photo League of New York</text>
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            <description>An account of the resource</description>
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                <text>A young woman sits on an armchair with her legs drawn up underneath her and her arms outstretched onto the armrests at her side. She is dressed in a fitted suit jacket and skirt with a large floral corsage tucked into her lapel. Her position and distant gaze suggest that she is either disinterested or unaware of the of the photographer. A lamp with a fringed lampshade is centered directly behind the woman and the armchair.

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                <text>Aaron Siskind</text>
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                <text>margin, verso</text>
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                <text>Lady and Lamp, Harlem, 1940, "HD"</text>
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                <text>verso [in pencil, in unknown hand]</text>
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                <text>Banks, Ann, and Charles Traub, eds. Harlem Document: Photographs 1932-1940: Aaron Siskind, p. 72. Providence: Matrix Publication, 1981.</text>
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                <text>Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School.  The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA.  During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind  taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career.  From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.</text>
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                <text>cities; portrait; black-and-white photographs; apartment house</text>
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              <elementText elementTextId="58344">
                <text>156.21 x 76.2 cm (61 1/2 x 30 inches)</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="58346">
                <text>To request permission to publish or reproduce this work, please contact the Samuel Dorsky Museum of Art.</text>
              </elementText>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="58350">
                <text>paint (coating)</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>painting (visual work); textile</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="94770">
                <text>1978.012</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>Samuel Dorsky Museum of Art</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="18">
      <name>Artwork</name>
      <description>Records describing the artwork itself, not the image of it. </description>
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          <name>URL</name>
          <description>An external link to access more information about the item.</description>
          <elementTextContainer>
            <elementText elementTextId="110896">
              <text>http://hvvacc.org/cdm/singleitem/collection/sdma/id/5054</text>
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        </element>
      </elementContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="110863">
                <text>photograph; gelatin silver print</text>
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                <text>work</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Siskind, Aaron</text>
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              <elementText elementTextId="110866">
                <text>photographer</text>
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              <elementText elementTextId="110867">
                <text>1903 - 1991</text>
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                <text>American</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lafayette Theater 1, Harlem, 1937</text>
              </elementText>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="110870">
                <text>http://hvvacc.org/cdm/singleitem/collection/sdma/id/5054</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="110871">
                <text>1937 [approximate]; printed 1981</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="110872">
                <text>gelatin silver print</text>
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              <elementText elementTextId="110873">
                <text>photographic paper</text>
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              <elementText elementTextId="110874">
                <text>photography (process); gelatin silver process</text>
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          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="110875">
                <text>35.56 x 27.94 cm (14 x 11 inches)</text>
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              <elementText elementTextId="110876">
                <text>29.84 x 21.91 cm (11 3/4 x 8 5/8 inches)</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="110877">
                <text>contemporary (generic time frame)</text>
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              <elementText elementTextId="110878">
                <text>Contemporary (style of art)</text>
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              <elementText elementTextId="110879">
                <text>Photo League of New York</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="110880">
                <text>As indicated by the inscription"HD," this photograph is part of a documentary series focusing on the social and economic conditions of Harlem in the 1930s, made as part of a project by the Feature Group, a production unit of photographers from the Photo League. The Feature Group project was intended to produce a book, but was never completed, although some of Siskind's photos (this one excepted) were included in "Harlem Document" (published in 1981). The photo shows the backstage area of the Lafayette Theater in Harlem, NY. The famous theater, the first major theater to desegregate, was a center of Harlem entertainment from 1912 through the 1930s, closing in 1951. Although the photo is dated 1937, Siskind wrote in "Harlem Document" (p. 78) that "[r]ecords kept were incomplete, casual and, alas,.. mostly gone." During the 30s the Lafayette Theater was the New York home of the Works Project Administration, Federal Theatre Project's Negro Theatre Unit (1936-1939). The construction behind the central figure, stenciled with "HAITI," provides a clue to the time when the photograph was taken and the activity in which the central figure is engaged. The Negro Theatre Unit performed two plays with Carribean settings around 1937, the time attributed to the photograph: Shakespeare's "Macbeth," (which became known as the "Voodoo Macbeth") which ran from April 14 to June 30, 1936, set in a Carribean island similar to Haiti, staged and directed by Orson Wells; and William Du Bois' "Haiti, A Drama of the Black Napoleon" (a dramatization of the life of Toussaint Louverture), which ran from March 2 to November 5, 1938. The marking on the set would seem to indicate that the photo was made during the 1938 "Haiti" production. The subject of the photograph is surprising and confusing -- a well-dressed man blowing into a raging fire backstage! Perhaps he is making smoke for the production by blowing into the fire, or he may be stoking the fire to be used in a scene.  Although this is part of the "Harlem Document" group of photos taken by Siskind in the 1930s, it was not included in the 1981 book, Harlem Document: Photographs 1932-1940: Aaron Siskind (Banks, Ann, and Charles Traub, eds. Harlem Document: Photographs 1932-1940: Aaron Siskind.  Providence: Matrix Publication, 1981).
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              <elementText elementTextId="110881">
                <text>Aaron Siskind</text>
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              <elementText elementTextId="110882">
                <text>margin, verso</text>
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              <elementText elementTextId="110883">
                <text>Lafayette Theater, Harlem, 1937, "HD" [Harlem Document?]</text>
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              <elementText elementTextId="110884">
                <text>verso [in pencil, in unknown hand]</text>
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                <text>Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School.  The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA.  During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind  taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career.  From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="110886">
                <text>theatres; fires; entertainers; black-and-white photographs</text>
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            </elementTextContainer>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="110887">
                <text>Estate of Tennyson Schad</text>
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              <elementText elementTextId="110888">
                <text>Gift of Howard and Ellen Greenberg</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="110889">
                <text>http://www.howardgreenberg.com/; http://aaronsiskind.org/chronology.html</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="110890">
                <text>Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)</text>
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              <elementText elementTextId="110891">
                <text>Photography Collection. Samuel Dorsky Museum of Art</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="110892">
                <text>Copyright. 1937. Estate of Aaron Siskind</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="110893">
                <text>2017.012.010</text>
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              <elementText elementTextId="110894">
                <text>2017.012.010</text>
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                <text>2017.012.010_Siskind_LR.jpg</text>
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