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                <text>Copyright. 1982. George Pierce. This image is presented as a "thumbnail" because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.</text>
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                  <text>Samuel Dorsky Museum of Art</text>
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              <text>Collections Manager, Samuel Dorsky Museum of Art, State University of New York at New Paltz, 1 Hawk Drive, New Paltz, New York 12561-2443, (845) 257-3844, sdma@newpaltz.edu</text>
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                <text>Eliot Elisofon</text>
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                <text>Untitled (outside an antique shop)</text>
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                <text>Copyright. Estate of Eliot Elisofon. This image is presented as a "thumbnail" because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.</text>
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            <name>Creator</name>
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                <text>Umberto Brunelleschi</text>
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                <text>Copyright. Estate of Umberto Brunelleschi. This image is presented as a "thumbnail" because it is protected by copyright. The Samuel Dorsky Museum of Art respects the rights of artists who retain the copyright to their work.</text>
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            <name>Identifier</name>
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                <text>1967.028.001</text>
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                  <text>Samuel Dorsky Museum of Art</text>
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          <name>URL</name>
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                <text>chromogenic color print; color photograph</text>
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                <text>Meyerowitz, Joel</text>
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                <text>Untitled (portrait from the series "Cape Light"), 1981</text>
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                <text>Cape Light</text>
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                <text>titled by donor</text>
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                <text>chromogenic color print</text>
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                <text>photographic paper</text>
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                <text>chromogenic processes; color photography</text>
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                <text>35.56 x 27.94 cm (14 x 11 inches)</text>
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                <text>24.45 x 19.36 cm (9 5/8 x 7 5/8 inches)</text>
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                <text>35.56 x 27.94 cm (14 x 11 inches)</text>
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            <name>Coverage</name>
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                <text>contemporary (generic time frame);</text>
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                <text>This smiling young girl in the beach parking lot is one of a series of spontaneous portraits of people in public spaces. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. </text>
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                <text>Joel Meyerowitz</text>
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                <text>Joel Meyerowitz [in ink], 1981 [in an unknown hand, in ink]</text>
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                <text>Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.</text>
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                <text>portrait; girls; youth</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Howard and Ellen Greenberg</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.</text>
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                <text>Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="111411">
                <text>Copyright. 1981. Joel Meyerowitz</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2017.012.022</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Samuel Dorsky Museum of Art</text>
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    <itemType itemTypeId="18">
      <name>Artwork</name>
      <description>Records describing the artwork itself, not the image of it. </description>
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          <name>URL</name>
          <description>An external link to access more information about the item.</description>
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              <text>http://hvvacc.org/cdm/singleitem/collection/sdma/id/5065</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>chromogenic color print; color photograph</text>
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                <text>work</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Meyerowitz, Joel</text>
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                <text>photographer</text>
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                <text>born 1938</text>
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                <text>American</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Untitled (portrait from the series "Cape Light"), 1981</text>
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                <text>Cape Light</text>
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                <text>titled by donor</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>http://hvvacc.org/cdm/singleitem/collection/sdma/id/5065</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1981; printed c. 1981</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>chromogenic color print</text>
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                <text>photographic paper</text>
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                <text>chromogenic processes; color photography</text>
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          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>35.56 x 27.94 cm (14 x 11 inches)</text>
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                <text>24.45 x 19.36 cm (9 5/8 x 7 5/8 inches)</text>
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              <elementText elementTextId="111432">
                <text>35.56 x 27.94 cm (14 x 11 inches)</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="111433">
                <text>contemporary (generic time frame);</text>
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              <elementText elementTextId="111434">
                <text>Contemporary (style of art);</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This smiling young woman sitting at the beach boardwalk is one of a series of spontaneous portraits of people in public spaces. The vintage chromogenic print reflects a shift in color that is natural for color photographic works from the early 1980's. The color shift is recognized as a part of the unique nature of such images. </text>
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                <text>1981 [in ink]</text>
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                <text>verso</text>
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                <text>Joel Meyerowitz is a nationally and internationally known photographer with over 350 exhibitions and many major awards. He began working as a "street" photographer in the early 1960's. Born in New York City in 1938, he "began taking photographs in 1962. Although he has always seen himself as a street photographer in the tradition of Henri Cartier-Bresson and Robert Frank (he is the co-author of the standard work on the genre, Bystander: A History of Street Photography, 1994) he transformed the mode with his pioneering use of color.  As an early advocate of color photography (mid-60’s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance" (http://www.howardgreenberg.com/artists/joel-meyerowitz). While early in his career he worked in 35mm black and white, he now works exclusively in color with an 8 x 10-inch view camera. Meyerowitz says that his work has gravitated toward two poles, "one using the small camera and instantaneous responses, and the other with a view camera and a slow caring, meditative look at places" (Creating a Sense of Place / Photographs of Joel Meyerowitz, p. 61).  He has authored 21 books, including Cape Light (1978) which is considered a classic work of color photography. His work has been collected by many major public and private collections, including the Museum of Modern Art, New York City; the Metropolitan Museum of Art, New York City; and the Whitney Museum of American Art, New York City.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>portrait; woman</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Howard and Ellen Greenberg</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="111441">
                <text>www.joelmeyerowitz.com; http://www.howardgreenberg.com/artists/joel-meyerowitz; Westerbeck, Colin &amp; Meyerowitz, "Bystander: A History of Photography," Chapter 20, Still Going, pp 373-392. Bullfinch Press: Little Brown and Company, 1994 and 2001; Meyerowitz, Joel; Sullivan, Constance and Susan Weiley, eds. Creating a Sense of Place / Photographs by Joel Meyerowitz. Washington: Smithsonian Institution Press, 1990.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Samuel Dorsky Museum of Art. State University of New York at New Paltz (New Paltz, New York, United States)</text>
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                <text>Photography Collection. Samuel Dorsky Museum of Art</text>
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            <name>Rights</name>
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                <text>Copyright. 1981. Joel Meyerowitz</text>
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            <name>Identifier</name>
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                <text>2017.012.023</text>
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                <text>2017.012.023</text>
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