Bedroom Through Doorway, Harlem, 1940

Bedroom Through Doorway, Harlem, 1940

Siskind, Aaron

photographer

1903 - 1991

American

1940; printed 1981

photograph; gelatin silver print

work

gelatin silver print

photographic paper

photography (process); gelatin silver process

35.56 x 27.94 cm (14 x 11 inches)

27.62 x 20 cm (10 7/8 x 7 7/8 inches)

2017.012.004

2017.012.004

2017.012.004

Copyright. 1940. Estate of Aaron Siskind

This photograph places the viewer in the position of a person looking into a bedroom from a hallway. In the foreground, there is the opened bedroom door, the frame of the door, and decorative wooden elements above the doorway. The bedroom is lit by a single, bare light bulb hanging from a string. Against the back wall, there is a vanity with neatly arranged toiletries. The wall surrounding the mirror of the vanity is covered with magazine clippings. Between the doorway and the vanity, the foot of the bed with the legs and feet of a man who is lying on the bed are also seen. The effect is that of a peek into a private space, made more immediate by the glimpse of the man's lower body. Although this is part of the "Harlem Document" group of photos taken by Siskind in the 1930s, it was not included in the 1981 book, Harlem Document: Photographs 1932-1940: Aaron Siskind (Banks, Ann, and Charles Traub, eds. Harlem Document: Photographs 1932-1940: Aaron Siskind. Providence: Matrix Publication, 1981).

Aaron Siskind

margin, verso

Bedroom Through Doorway, Harlem, 1940, "HD"

verso [in pencil, in unknown hand]

Aaron Siskind was born on December 4, 1903, in New York City. He attended City College, earning his BSS in Literature in 1926. After college, he taught English in the New York City public school system from 1926 to 1947. In 1929, he married Sidonie Glaller, and received his first camera as a wedding gift. Throughout the 1930s, he was active in the New York Photo League and formed Feature Group, a documentary production unit as a part of the Photo League School. The photographs produced by Siskind and his associates were published as ‘The Feature Group’ in Photo Notes in 1940, most of them featuring scenes of city life. In the 1940s, Siskind developed ties with several New York School artists, and his work became increasingly abstract and symbolic. In 1945, he published ‘The Drama of Objects’, a series of photographs featuring compositions comprised of objects he found around Martha’s Vineyard, MA. During this period and into the 1950s, his work was regularly exhibited in New York City, particularly at the Charles Egan Gallery. In addition to his ongoing photography career, Siskind taught photography at Trenton Junior College in New Jersey from 1947 to 1949; the Illinois Institute of Technology, Institute of Design in Chicago from 1951 to 1971, also serving as head of the Photographic Department from 1959 to 1971; and the Rhode Island School of Design from 1971 to 1976. He had a close connection with fellow photographer Harry Callahan, whom he met while teaching at Black Mountain College in the summer of 1951; the two taught and worked together for most of Siskind’s later career. From 1960 to 1970, he served as co-editor of Choice Magazine. He was a founding member of both the Society for Photographic Education and the Visual Studies Workshop in Rochester, New York and served as a board member for the Gallery of Contemporary Art in Chicago. He maintained an active photography career until his death in Providence, Rhode Island in February, 1991.

cities; black-and-white photographs; apartment house

http://www.howardgreenberg.com/; http://aaronsiskind.org/chronology.html

Samuel Dorsky Museum of Art, State University of New York at New Paltz (New Paltz, New York, United States)

Photography Collection. Samuel Dorsky Museum of Art

http://hvvacc.org/cdm/singleitem/collection/sdma/id/5078

contemporary (generic time frame)

Contemporary (style of art)

Photo League of New York

Estate of Tennyson Schad

Gift of Howard and Ellen Greenberg

http://hvvacc.org/cdm/singleitem/collection/sdma/id/5078